POETRY
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Here's a selection of my poems for JUNE
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FLAMING JUNE by Frederick Leighton (1830 - 1896)
JUNE
Brilliant early sun.
I cleave to sleep.
My tattered cloak of dreams
still clings to me.
Pulling it tight I turn —
caught in her beam.
Does this sun ever rest?
She comes to me —
gentle as a lover,
gossamer dressed.
So, waiting, Earth prepares :
petals unfurled,
bird song to herald her —
slumber disturbed.
Creeping, she comes melting
shadows. From her
radiant look the cool
young breezes fade.
Now in her nakedness
she visits me.
Her touch is everywhere —
Queen Midas of
the fiery embrace —
gilding the very air...
There is no hiding place.
Rose : "The Poet's Wife"
CONTACT
Sometimes the meaning comes in code:
reflections on a pool; flower tints;
sea, sky or hills as cyphers.
Or information set in tongues:
bird call; the constant drone of bees;
whispering grass or cold wind’s song.
Keeping air waves clear, tuned to all
known frequencies, I wonder will
I hear…. Your message understood ?
GOING GENTLY
(Minnou)
Rescued from abuse — we had to build your trust —
you sat and watched our other cat and learned.
So timid then, your instinct was to hide
and once, in terror, threw yourself down stairs.
We watched and saw your confidence return —
the garden and the sun became your friends
and everyday you’d make your way outside
or watched from windowsill on days of rain.
We gave kindness, food, shelter and a home
and in return you offered so much joy,
repaying us with closeness and your purr
and with a gentle love, so unreserved.
Now, as the days grow long, your life grew short
as age and illness wasted you away;
despite our care, the medicines and love
are useless now and can’t postpone this day.
You rested, feather-light in midday sun
on friendly lap, content with stroking hands…
and with a gentle breath you slipped away
like thistledown on wind… and pain was gone.
THE BENCH
Weathered silver-grey into a landmark,
anchoring this garden to the sky;
attractive to inquisitive magpies,
a seat from which to catch the sound of larks.
Above the house, in birches’ leafy shade,
on sunny mornings it’s the place to be —
somewhere to enjoy a morning coffee,
to take a seat and rest, put down your spade.
Cutter-bees visit bright hypericum —
nest building : it’s leaves they want to steal;
above the bench red kites turn and wheel —
soaring on air, sky their chosen freedom.
An orange sunset silhouettes the bench,
into the dusk fly moths pursued by bats —
their aerobatics confuse our watchful cat
who’s used to robin’s flight or bounding finch.
Night. More stars than Van Gogh knew. Above,
Perseus scatters ☼Summer’s***shooting***stars…
And, on still air, an owl cries from afar —
From near this bench a Tawny’s call of love.
PRIVET
…I cannot like the scent,
Yet I would rather give up others more sweet,
With no meaning, than this bitter one
(Old Man – Edward Thomas)
Initially, like Thomas’s “Old Man,”
this pungent smell is difficult to place :
familiar – both bitter and yet sweet —
it does not chime with me like other scents.
Hovering on thick air like memories,
it stops me in my tracks and makes me think :
arriving in fresh waves, just like the past,
it leads me to a hedge across the street.
Carefully shaped : dark leaves cut trim and close,
do not disclose the very thing I seek
but, where the shears have missed a growing tip,
tiny white spikes of flowers now persist.
There, softly in late sun, scent speaks to me :
transports me down the vista of the years
to where an old man, dressed in corduroy,
flashes quick shears, watched by a lonely boy.
My Grandfather, Fred Lapington and me... | ||
MAGIC MOMENTS
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PERKINS’ FARM
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TIME PASSES
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